The study is a comparative analysis of Stendhal's romantic interpretation and Flaubert's realistic interpretation of outdated myths. The first purpose of the study is to reveal the linear development of Julien Sorel and Emma Bovary in quest of their respective myths. The second is to reveal technical devices used by the authors that lead to diverse interpretations of the myths. The sources of data used in the study are Le Rouge et le noir and Madame Bovary and secondary materials concerning the two novels. The study is divided into five chapters including an introduction, two chapters that develop Julien's and Emma's respective myths, a chapter concerning technical devices used in the novels and a conclusion
A proper beginning for a study on Flaubert’s Madame Bovary should be inclusive of the writer’s stanc...
This paper was published by Nova Alexandria in 2001 as an introductory text to the translation in Po...
Dans Madame Bovary de Flaubert, les protagonistes se tournent souvent vers leur passé. Non seulement...
Dans ce mémoire on a analysé le thème d'amour dans les romans Le Rouge et Le Noir de Stendhal et L'É...
The research aims to discuss the social class in French society, that is, Bourgeoisie. The objective...
An ideal marriage is a state of being equal in every way which is built on a healthy dose of admirat...
Color and light, consistent with most visual phenomena in Madame Bovary, are more than mere descript...
This final work consist in the analysis of Emma Bovary's personality, the main heroine of Gustave Fl...
The author uses the traditional methodology of literary history, making references to the critics of...
This work focuses on the transformations to which is submitted the literary narrator when a literary...
This work carries on reading Madame Bovary by Flaubert. Although reading the novel threatened to be ...
The problem contained in this study was Stendhal's use of the Napoleonic myth in his novel The Red a...
The release of the two films, Madame Bovary (1992) by Claude Chabrol and Le Colonel Chabert (1994) b...
The vestiges of courtly love deployed in Stendhal's 1830 novel, Le rouge et le noir;, invite a re-ex...
This article is a comparative analysis of Mary Elizabeth Braddon’s The Doctor’s Wife and Gustave Fla...
A proper beginning for a study on Flaubert’s Madame Bovary should be inclusive of the writer’s stanc...
This paper was published by Nova Alexandria in 2001 as an introductory text to the translation in Po...
Dans Madame Bovary de Flaubert, les protagonistes se tournent souvent vers leur passé. Non seulement...
Dans ce mémoire on a analysé le thème d'amour dans les romans Le Rouge et Le Noir de Stendhal et L'É...
The research aims to discuss the social class in French society, that is, Bourgeoisie. The objective...
An ideal marriage is a state of being equal in every way which is built on a healthy dose of admirat...
Color and light, consistent with most visual phenomena in Madame Bovary, are more than mere descript...
This final work consist in the analysis of Emma Bovary's personality, the main heroine of Gustave Fl...
The author uses the traditional methodology of literary history, making references to the critics of...
This work focuses on the transformations to which is submitted the literary narrator when a literary...
This work carries on reading Madame Bovary by Flaubert. Although reading the novel threatened to be ...
The problem contained in this study was Stendhal's use of the Napoleonic myth in his novel The Red a...
The release of the two films, Madame Bovary (1992) by Claude Chabrol and Le Colonel Chabert (1994) b...
The vestiges of courtly love deployed in Stendhal's 1830 novel, Le rouge et le noir;, invite a re-ex...
This article is a comparative analysis of Mary Elizabeth Braddon’s The Doctor’s Wife and Gustave Fla...
A proper beginning for a study on Flaubert’s Madame Bovary should be inclusive of the writer’s stanc...
This paper was published by Nova Alexandria in 2001 as an introductory text to the translation in Po...
Dans Madame Bovary de Flaubert, les protagonistes se tournent souvent vers leur passé. Non seulement...